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TO ASSIST WRITERS BY WORKING ALONGSIDE THEM TO DEVELOP THEIR MATERIAL WITH A MIND FOR ITS SPECIFIC PATH AND FOR THEIR PERSONAL AMBITIONS AS A WRITER IN THE FIERCELY COMPETITIVE WORLD OF SCREENWRITING.
My name is Timothy K. Papciak, and since 2012, I’ve read hundreds of screenplays, TV scripts, and books for financiers, producers, production companies, competitions, festivals, guilds, and fellowships, and my opinion is highly regarded among many influential Los Angeles-based companies, as well as with international film financiers and content creators.
I’m happy to now offer those same services to aspiring, and professional, writers looking to improve their material before unleashing it onto the world—or simply to understand how it will be received by industry professionals.
I’ve worked for over a half dozen clients in the past—including the Writers Guild of America, West—but many of them had me sign non-disclosure agreements, which forbids me from revealing this information publicly. A full list of my past clients is available upon request.
Though I’m enthusiastic to help writers give their script its best chance in anyway they desire, I, unfortunately, cannot send anyone’s material along to any of my clients at this time.
Another set of eyes will be focused on your nearly-finished script, with careful regard of the structure and language, as well as the final touches to make sure that no glaring typo, grammatical nightmare, or erroneous character mistake sinks your well-crafted ship.
3-5 pages showing exactly what a professional script reader/story analyst will take away from your script and pass along to their bosses. These are in-depth notes that’ll clearly relay to you how your story, your characters, your craft, and your writing will be perceived.
In addition to the 3-5 pages of Industry Coverage, you will also get TEN developmental notes of professional-quality to help you glimpse the fullest potential of your narrative and execute focused revisions that’ll enhance future drafts and increase your script's chance of being noticed.
*Discounts offered for students and first-time filmmakers.
Turn around times vary but coverages and notes are often returned within two weeks. I don't accept more than ten scripts a week to ensure each script receives my undivided attention.
I’ve often heard people say, “Well, the reader must not have liked my script.” This couldn’t be further from the truth when it comes to professional readers. I’ve read scripts that I’ve disliked about subjects I had no interest in and passed them along with a RECOMMEND designation and nothing but high praise for the material and the writer. A strong script of professional quality will rarely, if ever, be dismissed, so make sure you do all that you can before sending yours off.
ONLY TASTE IS SUBJECTIVE: THERE’S NOTHING SUBJECTIVE ABOUT SHARP WRITING OF PROFESSIONAL QUALITY.
If you’re interested in any services offered here, or in ones tailored to your specific needs, reach out using the form below.